American Theatre Offscript

The Subtext: Katie Ka Vang Has Lived a Thousand Lives

This month Brian talks to Katie Ka Vang about reconnecting with her Hmong-American community, managing cancer while in graduate school, and learning to be content in the moment.

Offscript: Jackie Sibblies Drury and Justin Peck Feel the 'Illinoise'

On this episode, the playwright and director-choreographer team discuss their new "Illinoise" musical, plus New Yorker critic Helen Shaw surveys the theatre festival lineup.

The Subtext: Eric Simonson is Still Hustling

This month Brian talks to writer and director Eric Simonson about his Midwestern roots, his writing journey, and his artistic collaborations.

Theatrical Mustang: Rodney Hicks, Baby Spike Lee

On this episode, Woodzick talks to theatremaker Rodney Hicks, who will direct "Passing Strange" at Portland Playhouse this Spring.

Offscript: Merry Y’allmark with Topher Payne

On this episode, Rob and J.R. talk to Topher Payne about Hallmark and holiday traditions, plus Kelundra interviews longtime critic Linda Armstrong.

Theatrical Mustang: Star Finch’s Place of Questions

This month Woodzick talks to the Bay Area playwright about political disillusionment, the liberation of basic income, and the sacred space of theatre

Offscript: David Adjmi in Stereo and 3 Dimensions

The writer of 'Stereophonic' talks about his obsessions with detail and destruction, and North Carolina correspondent Lauren Van Hemert fills us in on the Research Triangle theatre scene

The Subtext: TyLie Shider’s Rehearsal Dramas

This month Brian talks to a writer inspired by the music his parents made when he was young, as well as by the diverse biographies and interests of the playwrights he admires

Theatrical Mustang: Michael Urie’s Medieval Musical Era

This month Woodzick talks to mutli-hyphenate performer Michael Urie ahead of his return to Broadway in “Spamalot.”

The Subtext: Charly Evon Simpson, Accomplished and Evolving

This month Brian talks to Charly Evon Simpson about discovering theatre, learning to be vulnerable, and becoming a playwright on paper and in life.